RHYTHMIC SYNTAX PARALLELISMS IN INVARIANT OLONKHO TEXTS

The article considers rhythmic syntax parallelisms in invariant olonkho texts. The aim is to compare invariant texts for detecting peculiarities of rhythmic syntax parallelism in olonkho epos. The study detected from the olonkho “Khaan Djargustai” recorded by I. A. Khudyakov 487 units of rhythmic syntax parallelisms. And 494 units were revealed from the «Dyyrai the Warrior a son of the horse» by I. I. Burnashev. We made a catalogue for each olonkho text. Based on the thesis of R. Jacobson we took into consideration absolutely all the parallelisms including those which repeated several times. As a result of analysis it emerged that invariant olonkho text has 62 rhythmic syntax parallelisms with the same meaning and shape. This represents 12.7% of all the parallelisms of I.A. Khudyakov’s text and 12.5% of I.I. Burnashev’s text.

The same parallelisms were analyzed with the help of a comparatively typological approach in the long run it was found out that rhythmic syntax parallelisms are the variants of invariant texts, i.e. they subjected to insignificant variation at the periphery.

The research detected that the same samples of rhythmic syntax parallelisms form a block of “common epic parallelisms” of Yakut olonkho that does not significantly change after a long period of time. Epic formulas and common places (loci communes) emerge on the block basis that explains a polistadiality of rhythmic syntax parallelism in olonkho epos.

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