SOME FEATURES OF TRANSLATION OF THE EPIC: ENGLISH TRANSLATIONS OF THE ARMENIAN NATIONAL EPIC “DAVID OF SASSOUN”
https://doi.org/10.25587/SVFU.2017.6.10660
Abstract
Translation of folklore and in particular the epic, is related with some challenges such as translation of words that incorporate and convey the outline and national identity of epic narrative. So, how do we translate an epic narrative from one language to another? Beyond the translation of words, the interpreter needs to transmit the cultural and social-historical realities of a particular culture to another. Often translators resort to footnotes, however the extensive usage of footnotes can be exhaustive and make the text difficult to read. On the other hand, if all the words are translated via the literal layer of the vocabulary, the epic becomes stripped off its national identity, thus becoming a mere retelling of well-known mythological and epic motives. These problems on different scales are seen in Russian and English translations of the epic “David of Sassoun”. The Armenian national epic has several English translations – “David of Sassoun”: The Armenian Epic in Four Cycles” by Artin Shalian (1964), “Daredevils of Sassoun” by Leon Surmelian (1964) and “The Saga of Sassoun” by Mischa Kudian (1970) etc. Each translation addresses and solves the question of translation of epic in comparative ways. This article focuses primarily on Artin Shalyan’s and Leon Surmelian’s translations, while dealing with other translations in deriving argument and analysis.
References
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Review
For citations:
HAMBARDZUMYAN H.A. SOME FEATURES OF TRANSLATION OF THE EPIC: ENGLISH TRANSLATIONS OF THE ARMENIAN NATIONAL EPIC “DAVID OF SASSOUN”. Epic Studies. 2017;(2):27-36. https://doi.org/10.25587/SVFU.2017.6.10660
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